葛蕾丝·琼斯：血光和巴米
- 主演：葛蕾丝·琼斯 Jean-PaulGoude Sly&Robbie
- 导演：SophieFiennes
- 类型：纪录片
简介：This electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence – Grace Jones is all these things and more. Sophie Fiennes’s documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of "Slave to the Rhythm," “Pull Up to the Bumper,” "Love is the Drug," and more. Jones herself has said watching the film “will be like seeing me almost naked” and, indeed, Fiennes’s treatment is every bit as definition-defying as its subject, untamed by either age or life itself.
《葛蕾丝·琼斯：血光和巴米》详细介绍
影片拼音/别名：geleisiqiongsixueguanghebami
视频集数：未知
上映时间：2017
视频更新时间：2024-04-07 17:58:10
国家/地区：英国
影片语言：国语
影片导演：SophieFiennes
影片演员：葛蕾丝·琼斯 Jean-PaulGoude Sly&Robbie
视频总人气：366
剧情介绍：SophieFiennes 导演执导的《葛蕾丝·琼斯：血光和巴米》，该影片在2017年英国发行，上映至今获得了较好的口碑， 每集分钟由葛蕾丝·琼斯 Jean-PaulGoude Sly&Robbie 等主演的一部不错的英语的电视剧。
This electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence – Grace Jones is all these things and more. Sophie Fiennes’s documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of "Slave to the Rhythm," “Pull Up to the Bumper,” "Love is the Drug," and more. Jones herself has said watching the film “will be like seeing me almost naked” and, indeed, Fiennes’s treatment is every bit as definition-defying as its subject, untamed by either age or life itself.
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