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酒神巴克科斯:狂欢之神
  • 酒神巴克科斯:狂欢之神

  • 主演:Bettany Hughes 
  • 导演:Nick Gillam-Smith 
  • 类型:记录片
  • 简介:  Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation.  In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.

《酒神巴克科斯:狂欢之神》详细介绍

影片拼音/别名:jiushenbakekesikuanghuanzhishen

视频集数:未知

上映时间:2018

视频更新时间:2024-03-24 02:58:41

国家/地区:英国

影片语言:国语

影片导演:Nick Gillam-Smith 

影片演员:Bettany Hughes 

视频总人气:673

剧情介绍:Nick Gillam-Smith 导演执导的《酒神巴克科斯:狂欢之神》,该影片在2018年英国发行,上映至今获得了较好的口碑, 每集分钟由Bettany Hughes 等主演的一部不错的其它的电视剧。

  Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation.  In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.

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