正在播放:虚空北境[电影解说]第01集
虚空北境[电影解说]
  • 虚空北境[电影解说]

  • 主演:梅拉·埃莫西约 德洛丽丝·赫雷迪亚 劳尔·布里奥内斯 Francisco Barreiro 丹尼尔·加西亚 Gerardo Trejoluna Paloma Petra Yahir Alday 
  • 导演:亚历杭德拉·马尔克斯·阿贝拉 
  • 类型:电影解说
  • 简介:  When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.  With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

《虚空北境[电影解说]》详细介绍

影片拼音/别名:xukongbeijingdianyingjieshuo

视频集数:未知

上映时间:2022

视频更新时间:2024-03-24 01:59:44

国家/地区:其它

影片语言:国语

影片导演:亚历杭德拉·马尔克斯·阿贝拉 

影片演员:梅拉·埃莫西约 德洛丽丝·赫雷迪亚 劳尔·布里奥内斯 Francisco Barreiro 丹尼尔·加西亚 Gerardo Trejoluna Paloma Petra Yahir Alday 

视频总人气:58

剧情介绍:亚历杭德拉·马尔克斯·阿贝拉 导演执导的《虚空北境[电影解说]》,该影片在2022年其它发行,上映至今获得了较好的口碑, 每集分钟由梅拉·埃莫西约 德洛丽丝·赫雷迪亚 劳尔·布里奥内斯 Francisco Barreiro 丹尼尔·加西亚 Gerardo Trejoluna Paloma Petra Yahir Alday 等主演的一部不错的其它的电视剧。

  When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.  With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

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